Cat Hope and Tina Havelock Stevens discuss their work FREESTYLE, after the premiere in Beechworth last month, and in prepration fo the film showing in Sydney next month.
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Speechless, an opera written by Cat Hope in 2014- 2019, was presented in Hamburg, Germany as part of the Ligeti Festival in May 2023. This blog article is an overview that experience and its outcomes, and will be followed by a series of specific articles on elements of video, choir, score and staging.
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On the death of Ennio Morricone, a short peice about how his music has been with me most of my life, as a listener, composer, musician and person in the world.
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Super Luminum Tour November 2019 - a short tour diary
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August and September bring plenty of bass noise collaborations as well as world premieres for Decibel.
Exciting announcment about Super Luminum at the Huddersfield Contemporary Music Festival later this year.
At the end of this month, there will be two performances that showcase the work I have done with French composers Éliane Radigue and Lionel Marchetti since 2012 to date. There is something about this music that keeps me re-engaging with the composers.
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Attending the wonderful collection of live electronic music that was Borderlands at Dark Mofo last month was a highlight of that festival. It also got me thinking about electronic music performance, and in particular, two artists in that night that held a special relationship to their equipment on stage, Stephen O'Malley and Kusum Normoyle.
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With the news that Scott Walker has passed away, I have been surprised by the division of fans of and writers on Scott Walker's early and later solo work. For me, they are intrinsically linked.
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A few things bring 2018 to a close.
Live recordings, articles, collaborations, reviews, performances, developments and thank yous.
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