ARTICLES AND BLOGS

ARTICLES AND BLOGS

Below is a list of Cat’s non refereed publications to date, followed by a list of blog articles on this site.

NON REFEREED ARTICLES (FOR CONFERENCE PAPERS GO TO ACADEMIC CV)

Holman Jones, S. & Hope, C. (17 June, 2022) “Supervising graduate practice based degrees in performance: Making and unmaking through autoethnography” NiTRO Magazine, 42.

Hope, C. (5 December,2021). “Championing Sonic Phenomena as Music – A personal obituary for Alvin Lucier (1931-2021)” Cyclic Defrost.

Devenish, L., & Hope, C. (2021). “The New Virtuosity: A Manifesto for Contemporary Sonic Practice.” Tempo, Cambridge University Press. Vol 75, Issue 298, p87. doi:10.1017/S0040298221000437

Hope, C. (15 October, 2021) “An Academy of Creative Arts” NiTRO Magazine, 38.

Hope, C. (2 August, 2021).”Unlearning, Relearing, Always Learning”. Inside the Musician. LoudMouth
Hope, C. (23 April, 2021). Turbulent Times lead to new ways of doing. NiTRO Magazine

Hope, C. (31 August, 2020). Interdisciplinarity: between the arts and other fields: how do we break the silos? NiTRO Magazine, 30.

Hope, C., Grant, N., Smart, G. & Parr, T. (2020). “Toward the Summers Night: A Mentoring Project for Australian Composers identifying as Women”. Tempo, Cambridge University Press. Vol 7, Issue 292. Pp 49-55

Devenish, L., Sun, C., Hope, C. & Tomlinson, V. (2020). “Teaching Tertiary Music in the #MeToo Era.” Tempo, Cambridge University Press. Vol 7, Issue 292, pp 30-37.

Hope, C. (2020). “Lessons Learned in Iso” Limelight Magazine, November 2020, p 50

Hope, C. (July 11, 2020.). “Ennio Morricone: Film composer and Sonic Explorer”. Daily Review,

Hope, C. (10 July, 2020). “Ennio Morricone wrote the soundtrack to my life”. Monash Lens.

Hope, C. (06 March 2020). “Raising voices: Leadership from women in music benefits all”. Monash Lens.

Hope, C. and Lindsay, J. (4 October, 2019). “A Partnered PhD for Cultural Impact?” NiTRO Magazine.
Hope, C. (7 June, 2019). “From the Vice President: Are we in, or out, of the system?” NiTRO Magazine

Hope, C. (10 July 2019). The future of Music Notatino in a digital World. Monash Lens.

Hope, C. (May 2019). “What Can (and should) a music school in a modern Australian University Look like?” Loudmouth

Hope, C. (07 June,2019). “Are we in – or out – of the system?” NiTRO.

Hope, C. & Carrington, T.L. (2018 May 7) Leadership in Jazz. Melbourne International Jazz Festival

Hope, C. (2017 August 30). Stepping Aside: Gender equality and privilege in recent Australian music culture. Resonate Magazine.

Hope, C., Robinson, C. (2017). “OCCAM HEXA II: A Collaborative Composition”. Tempo Vol 71, Issue 282. Cambridge University Press. pp18-28. [AC 221829]

Hope, C. (2017 June 26). Why is there so Little Space for Women in Jazz Music?

MacCarthur, S., Hope, C., Bennett, D. (2016 May 31). The sound of silence: why aren't Australia's female composers being heard?

Hope, C. (4 November, 2016). “It is time for universities to support independent artists” Monash Lens.

Hope, C. (2015 December 7). Make for Change: Challenging gender issues in electronic music.

Hope, C. (2015 Nov 19). Music Of Our Time: Lets embrace experimental music once and for all. The Conversation.

Hope, C.(2015 July 6). Cuts to Funding Cut Women More Deeply. Listen.

Hope, C. (2013 January 17). Drawing Music. Resonate Journal. Sydney, NSW: Australian Music Centre. https://www.australianmusiccentre.com.au/article/insight-drawing-music

Hope, C. (2013). An Australian Woman in Music. Journal of the International Alliance for women in Music 19(2) pp 19-21

Hope, C. (2008 September 15). I am the music I don’t notate. Editorial in Resonate Journal, 3. Sydney, NSW: Australian Music Centre.

Hope, C., & Vickery, L. (2008 September 10). Freedom and structure take on instruments and hardware. Resonate Journal, 3. Sydney, NSW: Australian Music Centre

Hope, C., & Pateras, A. (2008 September 5). Configuring music. Resonate Journal, 3. Sydney, NSW: Australian Music Centre.

Hope, C. (2007). It’s addictive. Resonate Journal Blog, Sydney, NSW: Australian Music Centre.

Hope, C. (2007). New music at Club Zho. Resonate Journal. Sydney, NSW: Australian Music Centre.

Hope, C. (2007). Perth – A noisey city. Grok Magazine, 58, Nov, 8–10.

Hope, C. (2006). Critical mass: Sound, story and music in David Cronenberg’s Crash. Ballardian, http://www.ballardian.com/author/cat

Hope, C. (2006). Transit Lounge and Transmediale, Berlin. Filter, 63, 18-19

BLOG ARTICLES ON THIS SITE

Featured

Telematic performance without the bros

A review of Iran Sanadzadeh and Mike Mulshine’s Networked performance concert at Sir Zelman Cowen School of Music and performance, Monash Unviersity., 28 Marrch 2024.

Contemporary Musical Virtuosities

This new book co-edited with Louise Devenish features a range of esteemed authors discussing what virtusosity means today.

Making ‘Never At Sea’: An interview with Cat Hope and Kate McMillan

This is a discussion between Kate McMillan and Cat Hope, about their new project together, Never At Sea that opens at St Mary Le Strand church in London, UK on June 21st 2023

Speechless in Hamburg 2023

Speechless, an opera written by Cat Hope in 2014- 2019, was presented in Hamburg, Germany as part of the Ligeti Festival in May 2023. This blog article is an overview that experience and its outcomes, and will be followed by a series of specific articles on elements of video, choir, score and staging.

Freedom In Art

This is the text of Cat Hope’s presentation as part of the ‘Freedom in Art’ at the ‘Freedom in Crisis’ Conference in Hamburg on November 19, 2022.

The Loss of Low: Vale Mimi Parker (1968-2022)

This blog post is a personal memorium to the singer, songwriter and drummer in US band Low, who passed away this month aged 55.

Ennio Morricone: Film Composer and Sonic Explorer

As you might expect with such a prolific artist, not every Morricone work is a masterpiece. Working in the film industry sometimes requires the creation of music for a film where the deadline is short and parameters fixed. Yet Morricone’s work is distinguished by just how good his best works are.

Ennio Morricone (1928 - 2020): A personal obituary

On the death of Ennio Morricone, a short peice about how his music has been with me most of my life, as a listener, composer, musician and person in the world.

All Music For Everyone: Working Towards Gender Equality and Empowerment in Australian Music Culture

I am very honoured to be giving the 2018 Peggy Glanville-Hicks Address. Established by the New Music Network in 1999, I follow in the footsteps of amazing musicians and speakers that have included Genevieve Lacey, Warren Burt, Michael Kieran Harvey, Nicole Canham, Simone Young, and the late Richard Gill.

Arts should be at the core of our national identity

I really believe that art is important; I believe in its power to bring people together, how it helps us challenge and reflect on our views and improves our quality of life. Arts should be at the core of our national identity, as it helps us make sense of it .…